Dos objectos (ou da personificação) (segundo Miró)

Joan Miro, El guante blanco (1925)

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«For me an object is alive; this cigarette, this matchbox, contain a secret life much more intense than certain humans. I see a tree, I get a shock, as if it were something breathing, talking. A tree too is something human.»

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Miró, in «I Work Like a Gardener: Joan Miró on Art, Motionless Movement, and the Proper Pace of Creative Labor»