sexta-feira, 20 de fevereiro de 2009

A perspectiva

Pintura de Piero della Francesca, The Flagellation (c. 1460, Galleria Nazionale delle Marche, Urbino).
Perspective, in transforming the ousia (reality) into the phainomenon (appearance), seems to reduce the divine to a mere subject matter for human consciousness; but for that very reason, conversely, it expands human consciousness into a vessel for the divine.
Erwin Panofsky.

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