Palácio da Ajuda

Sala Grande de Espera

Sala Cor-de-Rosa (tecto com pinturas de Cinatti e Rambois, c. 1862-1868)

Escadaria

Topo da escadaria

Porta da Sala Chinesa

Sala do Retrato da Rainha (retrato de Carolus-Duran e tela com o Castelo de Hohenzollern,

Johann Adolf Lasinsky, 1858)

Sala D. João VI (tecto de Foschini, c. 1824-1825)

Sala dos Archeiros (pavimento de Moreira Rato & Filho, 1891)

Tecto de outra escadaria

No Dia da Europa

Arcângelo Foschini, Atlas e Europa (Sala de D. João VI, Palácio Nacional da Ajuda)

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«What is the use of working toward a lawful civic constitution among individuals, i.e., toward the creation of a commonwealth? The same unsociability which drives man to this causes any single commonwealth to stand in unrestricted freedom in relation to others; consequently, each of them must expect from another precisely the evil which oppressed the individuals and forced them to enter into a lawful civic state. The friction among men, the inevitable antagonism, which is a mark of even the largest societies and political bodies, is used by Nature as a means to establish a condition of quiet and security. Through war, through the taxing and never-ending accumulation of armament, through the want which any state, even in peacetime, must suffer internally, Nature forces them to make at first inadequate and tentative attempts; finally, after devastations, revolutions, and even complete exhaustion, she brings them to that which reason could have told them at the beginning and with far less sad experience, to wit, to step from the lawless condition of savages into a league of nations (...)».

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Immanuel Kant, Idea for a Universal History from a Cosmopolitan Point of View (1784).

Acerca deste assunto, gostava de ler este artigo de Simon Glendinning.