sexta-feira, 20 de fevereiro de 2009

A perspectiva

Pintura de Piero della Francesca, The Flagellation (c. 1460, Galleria Nazionale delle Marche, Urbino).
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Perspective, in transforming the ousia (reality) into the phainomenon (appearance), seems to reduce the divine to a mere subject matter for human consciousness; but for that very reason, conversely, it expands human consciousness into a vessel for the divine.
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Erwin Panofsky.

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