Jan van Eyck, The Ince Hall Madonna (The Virgin and Child Reading) (1433, The National Gallery, Melbourne)
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Peter Paul Rubens, Virgin and Child (1624-1625, Staatliche Museen zu Berlin, Gemäldegalerie, Berlin)
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«For it is
reliably known, that the great Rubens, and his
predecessor Van Eyck, both Flemish artists, most assiduously
studied chemistry in Germany before they applied themselves
to painting; and that, to a great extent, the
brilliancy of their colours was owing to their
extensive knowledge of that science.»
-
D. Laurent
de Lara, Elementary Instruction in The Art of Illuminating and Missal Painting
on Vellum, A Guide to Modern Illuminators, London, 1863, J, Weitheimer and Co.,
p. 31.
2 comentários:
Achei graça à citação.
Realmente a arte e a ciência caminham a par e passo.
As duas pinturas são lindas, mas confesso que gosto mais do primeiro pintor.
Beijinho. :))
Também gosto mais de Van Eyck. Beijinhos, Ana!
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